The post (ita) Consigli per mobili inondati appeared first on Andrea Ippoliti, painting, restoration, art made in Italy.

Among these materials cover all artistic productions that have passed through at least one cooking in the oven at 900 degrees, commonly referred to with the word ” ceramics” that says everything and nothing identifies .
The restoration of ceramics is for my work as a restorer and a very important feature , satisfying the customers coming from different parts .
Have practiced the art of the potter for many years ( I played the role of a teacher at the pottery course of the Municipality of Senigallia , in the province of Ancona ) , having worked for about 8 years with the ceramist Amaranth Franco, he was a student until the death of his dear master sculptor Romulus Augustus Schiavoni , I graduated from the Academy of Fine Arts in sculpture in Florence , are the foundation that has allowed me to compare myself with the various constituent materials of ceramics and those necessary for its restoration.

In all these years , my clients for the restoration of ceramics were private and antique dealers from the north-central Italy , which have come out from my studio always very satisfied, both for the quality of work for the price.

“Modus operandi”

I have always accepted the challenge of restoring any ceramic product that was offered to me by customers can be summarized in the following list : terracotta , majolica , faience with third fire, with luster tiles , stoneware or porcelain in bisque porcelain enamel .
At the same time I also compared with the restoration of: opal , glass , precious stones, stones , marbles .

The issues addressed range from simple chipping reassembly of even 30 pieces to a plate decorated ; the complete renovation of a foot to the execution of complicated snakes .

The quality of the restoration guarantees: no change in the time of the materials and adhesives used , resistance to light for the colors used for retouching, weather resistance (when required ) .
I never went back customers to complain for any reason . I happened to be restored for the second time ( for new accidental breakage ) pieces have already been restored by me even 15 years ago, and found a positive guarantee as above.

 
AIMS PURSUED

The goals that I pursue for the restoration of ceramics are : the elimination of all the speeches of previous restorations and know myself stop when this compromises the piece , attention, during demolition , material and glazes original , the choice of right adhesive according to the inertia forces to bear and to the ceramic material , the cleaning liquid and with systems that do not affect in any way the matter and enamels and does not leave residues in time , the choice of materials for the restoration of first quality, at the most important Italian specialty retailers , with particular attention to the study of technical specifications, the virtually zero insertion of metal pins inside the material , retouching painting , for the aesthetic restoration , going to sovvrapporsi as little as possible on the original glazes .

The ultimate goal is to restore the necessary structural stability of the workpiece and the proper aesthetic pleasure : this is what normally the customer asks.

If the customer asks to meet the modern guiding principles of any restoration activities , all activities listed above will be calibrated to achieve a restoration that : both the possible reversible and that does not affect in any way the original parts, use colors reversible and stable in subdued in order to identify the intervention , not the arbitrary reconstruction of missing parts, a solid photographic documentation and a comprehensive final report of the intervention carried out .

Andrea Ippoliti

Learn the theme of the ceramic restoration and look at the work I’ve done .

The post The restoration of ceramics appeared first on Andrea Ippoliti, painting, restoration, art made in Italy.

Evemto which was held July 3 to 7 , 2013, as part of the 14th exhibition of artistic

THE EVENT

Inside the lab are works made in the last period .
They are paintings that analyze some details of the great painters mentioned , performed according to the original painting techniques .
You can also observe the methods , materials and tools used in a particular cognitive process .

THE REASONS

From 3 to July 7, 2013 are presented at the workshop in Via Testaferrata , 3 in Senigallia , a few paintings , made by Andrea Ippoliti in the last period .

Were taken into consideration some details from the works of great painters such as Giotto, Gentile da Fabriano, Fra Angelico , Klimt, in order to satisfy the client, the purpose of which was to create and offer a gift that would bring him in some values ​​, such as:

• the absolute uniqueness of donated labor
• enhancement of the Italian artistic heritage
• knowledge of the life of the individual artist proposed
• The reasons for the historical / symbolic of the work from which he took inspiration
• come to the knowledge of painting technique with which the individual work was painted , the same as Andrea Ippoliti used
• having selected that particular because it was considered symbolically appropriate for the recipient
• entering the so -hidden artfully and a prayer / wish for the recipient

 
DO NOT SIMPLE COPY

So the purpose of the works is not to be mere copies, but to be free and relatively faithful interpretation of the particular under consideration, in order to arouse emotions in the observer modern .

 
THE ORIGINAL SPECIFICATIONS

Having used the original techniques undoubtedly contributes to the achievement of this goal:
it is in fact :
• a fresco by Giotto
• egg tempera on gold for 24 Karati Gentile da Fabriano and Fra Angelico
• graining on gold by Gentile da Fabriano
• mixed media ( oil and tempera ) by Klimt

The post Exposure paintings appeared first on Andrea Ippoliti, painting, restoration, art made in Italy.